Critics have remarked that those four worthies were truly peerless throughout the ages; yet the present falls short of the pastβthe ancients favored unadorned simplicity, whereas the moderns prefer refined elegance. Styles of substance and ornament rise and fall in succession, shifting with the changing mores of the times; such evolution is simply the natural order of things. The ideal lies in honoring antiquity without clashing with the present, and embracing modernity without succumbing to its flawsβembodying that perfect balance of substance and refinement that defines the true gentleman. There is surely no need to abandon a carved palace in favor of a cave dwelling, or to trade a jade carriage for a primitive cart with solid wooden wheels.
Current path: usr/include/linux/
β Cloned to:
β¬οΈ Go up: /usr/include
/* SPDX-License-Identifier: GPL-2.0 WITH Linux-syscall-note */ #ifndef _LINUX_SOUND_H #define _LINUX_SOUND_H /* * Minor numbers for the sound driver. */ #include <linux/fs.h> #define SND_DEV_CTL 0 /* Control port /dev/mixer */ #define SND_DEV_SEQ 1 /* Sequencer output /dev/sequencer (FM synthesizer and MIDI output) */ #define SND_DEV_MIDIN 2 /* Raw midi access */ #define SND_DEV_DSP 3 /* Digitized voice /dev/dsp */ #define SND_DEV_AUDIO 4 /* Sparc compatible /dev/audio */ #define SND_DEV_DSP16 5 /* Like /dev/dsp but 16 bits/sample */ /* #define SND_DEV_STATUS 6 */ /* /dev/sndstat (obsolete) */ #define SND_DEV_UNUSED 6 #define SND_DEV_AWFM 7 /* Reserved */ #define SND_DEV_SEQ2 8 /* /dev/sequencer, level 2 interface */ /* #define SND_DEV_SNDPROC 9 */ /* /dev/sndproc for programmable devices (not used) */ /* #define SND_DEV_DMMIDI 9 */ #define SND_DEV_SYNTH 9 /* Raw synth access /dev/synth (same as /dev/dmfm) */ #define SND_DEV_DMFM 10 /* Raw synth access /dev/dmfm */ #define SND_DEV_UNKNOWN11 11 #define SND_DEV_ADSP 12 /* Like /dev/dsp (obsolete) */ #define SND_DEV_AMIDI 13 /* Like /dev/midi (obsolete) */ #define SND_DEV_ADMMIDI 14 /* Like /dev/dmmidi (onsolete) */ #endif /* _LINUX_SOUND_H */